Opera ballet

‘Phèdre’ and ‘Psyché’ from the Paris Opera Ballet – Review

If “Phèdre” represents the past, “Psyché” does not announce loud and clear its entry into the 21st century. Mr. Ratmansky, the Russian-born artist-in-residence of the American Ballet Theatre, is perhaps the ballet’s great hope. But those who expected great contemporaneity from his Parisian commission were probably disappointed. “Psyche” is a delicately crafted traditional-looking piece that […]